(watch it all! ...wait for it! )
(Turn it up...If you can? Nice drum sound!)

Your viewing Mike McCready of Pearl Jam and Thunder Pussy switched live during a Crohn's & Colitis foundation dinner/auction @ Fremont Studios in Soundstage A. (Seattle)

Lol, Fun for you DP and engineering geeks!
#1 HUGE reason to use VariCam LT for live multi-Camera production. (Besides Color Look) Variable Sensor Frame Rate!
Here are 5 VariCam LT 4k CineLive S35 Cameras cut live @ 3G (1080P 59.94fps) with a "Visual" "Sensor Frame Rate" of 24fps (or anything between 2 - 60) changeable live on the fly with a variable shutter adjustment to offset T stop adjustments. (your looking at 180 degrees) All with the push of 1 button. (Okay 2 at the same time.) (Each camera)

This live show event started at 60fps then switches to 24fps during the band and back to 60fps at the end. (Viewable on the other version here... https://studio.youtube.com/video/Eutd...)

Fujinon 4K PL Mount Cine Zoom Lenses.
1- BESM PL 70x - 22mm x 1500mm (100' from Drum Riser)
2- Cabrio ZK 12x - 25mm x 300mm (100' from Drum Riser)
1- Cabrio XK 10x - 20mm x 120mm (On 18' Jimmy Jib house left floor)
1- Cabrio XK 2.5x - 14mm x 35mm (ABonAir Wireless)