The strange history of the band P.O.D. who were big in the early 2000's

0:00 - Early Years/Independent Records
6:00 - Signing to Atlantic/First Album
8:30 - POD & Religiion
11:15 - Satellite
15:33 - Butting Heads With Religious Groups
17:00 - Later Part of Career



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P.O.D. (Payable on Death) achieved remarkable success, defying expectations as a Christian rock band during the nu-metal era. Emerging from San Diego in 1992, the multiracial group faced both success and challenges. Sonny Sandoval, the vocalist, joined the band after his mother's conversion to Christianity, finding solace in her faith during her battle with leukemia. Wuv's father, who formed Rescue Records, became their manager, reflecting the band's close ties to Christianity.

In their early days, P.O.D. faced skepticism from Christians and skinhead audiences due to their overtly religious lyrics. The band, however, evolved, garnering attention and opening for Cypress Hill, Green Day, and Mighty Mighty Bosstones in San Diego. Their lineup changed in 1994, and they independently released "Snuff the Punk" and "Brown," gaining popularity.

The turning point came when Atlantic Records signed them, leading to their major-label debut, "The Fundamental Elements of Southtown," in 1999. The album, produced by Howard Benson, featured hits like "Southtown" and "Rock the Party," blending rock, hip-hop, and spiritual elements. P.O.D. successfully crossed into mainstream music, touring with Korn, Primus, and headlining their own shows.

In 2001, P.O.D. released "Satellite," coinciding with the 9/11 attacks. The song "Alive" became a symbol of hope, resonating with listeners. "Youth of a Nation" addressed the tragedy of school shootings. Despite mainstream success, P.O.D. resisted the Christian label, emphasizing their music's positive message.

The self-titled album in 2003 marked a change, featuring guitarist Jason Truby. The album's cover sparked controversy, but P.O.D. advocated boycotting stores refusing to carry it. The band faced label issues amid Atlantic's shakeup, impacting their negotiations despite prior success.

In 2006, P.O.D. collaborated with producer Glen Ballard and featured Katy Perry on "Goodbye for Now." The album "Testify" went gold, but tensions with Atlantic led to the band's departure. P.O.D. released "When Angels and Serpents Dance" in 2008, marking the return of original guitarist Marcos Curiel.

Throughout the 2010s, P.O.D. continued releasing albums, including "Murdered Love" in 2012, which sparked controversy over explicit language. They explored diverse sounds in "Circles" (2018), collaborating with Heavy. The band's commitment to positive messaging and connection with fans remained consistent, reflecting in their charitable endeavors and outreach.

As P.O.D. approaches their new album, "Veritas," set to release this year, they continue evolving while staying true to their roots. The band's resilience, diverse influences, and dedication to delivering a positive message have solidified their enduring impact on the music scene.