Jim Jarmusch on Stranger than Paradise

Gene Wilder: Be In The Moment, Today (2009)

Gene Wilder - Why I thought I could make people laugh (01/26)

Gene Wilder - Why I wanted to become an actor (02/26)

Gene Wilder - Being bullied at the military academy (03/26)

Gene Wilder - The impact of my mother’s illness (04/26)

Gene Wilder - My parents reaction to becoming an actor (05/26)

Gene Wilder - Lee J. Cobb in ‘Death of a Salesman’ (06/26)

Gene Wilder - Acting studies and going to England (07/26)

Gene Wilder - The Actors Studio and Lee Strasberg (08/26)

Gene Wilder - Realizing my strength was comedy (09/26)

Gene Wilder - Getting into movies: ‘Bonnie and Clyde’ and ‘The Producers’ (10/26)

Gene Wilder - Meeting Zero Mostel (11/26)

Gene Wilder - Mel Brooks as a director (12/26)

Gene Wilder - Why 'Springtime for Hitler' became 'The Producers' (13/26)

Gene Wilder - The Academy Award nomination (14/26)

Gene Wilder - ‘Willy Wonka & the Chocolate Factory’ (15/26)

Gene Wilder - 'Young Frankenstein' (16/26)

Gene Wilder - Casting Peter Boyle and Gene Hackman (17/26)

Gene Wilder - Arguing for 'Putting on the Ritz' (18/26)

Gene Wilder - Knowing when something is funny (19/26)

Gene Wilder - Becoming a director (20/26)

Gene Wilder - 'Silver Streak' and meeting Richard Pryor (21/26)

Gene Wilder - 'Silver Streak' - the shoe-polish scene (22/26)

Gene Wilder - The Black and White ‘double-act’ of Pryor and Wilder (23/26)

Gene Wilder - Gilda Radner (24/26)

Gene Wilder - Loss and Love (25/26)

Gene Wilder - Ironies and Life (26/26)

Terry Gilliam on Robert De Niro

Terry Gilliam on the transition from animation to direction