J. S. Bach, ‘Allein zu dir, Herr Jesu Christ’: Analysis

J.S. Bach, ‘Herzliebster Jesu’: Analysis

J.S. Bach, ‘Christ ist Erstanden’: Analysis

How do I get my friends to like DIFFICULT MUSIC?

ASTOUNDINGLY Beautiful Ambient Soundscapes: Rafael Toral interview

Mathematical Physicist & Composer Walk into a Bar..

Dr. Lola Salem: Opera Needs to Change or it Will Die

Jim O’Rourke & Samuel Andreyev: Round 2

The Artist in Society: Ian Pace

Matthew Sheeran: The Quest for Microtonal Music

Matthew Sheeran: Technological Frontiers of Music

Matthew Sheeran: Rescuing ‘Impossible’ Pieces of Music

Five Ways to Improve Your Music

Why DIY is Better: Jim O’Rourke

Why Audiences No Longer Care About Modern Music

The Art of Conducting: Luigi Gaggero

What Makes a Great Conductor? Luigi Gaggero

How to Write Beautiful Music: Martin Suckling

Recordings vs. Concerts: Martin Suckling

Why GENRE is important: Martin Suckling

To Eye Apart (from In Glow of Like Seclusion)

Jim O’Rourke on the Samuel Andreyev Podcast

What is Creative Energy?

51 Minutes About Harmony with Julian Anderson

Time, Structure, Timbre: Jean-Luc Hervé, Composer

AI: Are composers finished? with Dr. Tyler Foster

Historical Necessity Doesn’t Exist — Robin Holloway

J. S. Bach’s Secrets Revealed: Inventio IX in F minor

Can I Survive Morton Feldman’s Second String Quartet?

Composers: Avoid this cliché!