Benedictus (SATB, 2022)

How to Compose a Fugue "alla Duodecima" || Imitative Counterpoint 10

How to Compose a Fugue "Alla Decima" || Imitative Counterpoint 9

Mozart Plays with Augmented Triads || Harmonic Motive

ANALYSIS: Chopin, Fugue in A minor, B.144 || Imitative Counterpoint 8

ANALYSIS: J.S. Bach, Fugue in C major, BWV 846 || Imitative Counterpoint 6

How To Compose a Fugue "all'Ottava" || Imitative Counterpoint 7

How to Compose a Simple Fugue || Imitative Counterpoint 5

Understanding the BACH Motif || Imitative Counterpoint 4

Fugue Subjects and Answers || Imitative Counterpoint 3

How to Compose a Perpetual Canon || Imitative Counterpoint 2

How to Compose a Canon || Imitative Counterpoint 1

When are Parallel Fifths Ok? || Brahms on Forbidden Parallels

Beethoven's Hidden Composition Lesson in the Pathétique Sonata

How to Compose Pedal Points || Tonal Voice Leading 19

The Tchaikovsky Counterpoint Exercises || Tonal Voice Leading 18

How to Compose Auxiliary Chords || Tonal Voice Leading 17

How to Compose Anticipation Chords (and Bass Suspensions) || Tonal Voice Leading 16

How to Compose Suspension Chords || Tonal Voice Leading 15

Dominant Seventh Chords Part 3: Counterpoint || Tonal Voice Leading 13

Dominant Seventh Chords Part 2: Thoroughbass || Tonal Voice Leading 12

Dominant Seventh Chords Part 1: Theory || Tonal Voice Leading 11

How to Compose Triads in Keyboard Style || Tonal Voice Leading 10

How to Compose Passing Chords || Tonal Voice Leading 14

Roman Numeral Analysis and Four-Voice Counterpoint || Tonal Voice Leading 9

How to Compose with Chords and Triads || Tonal Voice Leading 8

How to Compose Invertible Counterpoint || Tonal Voice Leading 7

How to Compose a Florid Melody || Tonal Voice Leading 6

How to Compose Suspensions || Tonal Voice Leading 5

How to Compose 4:1 Counterpoint || Tonal Voice Leading 4