In this Screen Tests interview, Scarlett Johansson shares her obsession for Judy Garland in Meet Me in St. Louis, being a child actor, and playing Black Widow alongside Chris Evans as Captain America in The Avengers.

Scarlett Johansson, who had given birth to her daughter, Rose, was wearing tight jeans and an equally snug white sweater. Her short, almost platinum hair, which would soon be covered by a Debbie Harry circa-Blondie shag wig, was slicked back.

As always—and I have been interviewing her regularly since her breakthrough role in 2003’s Lost in Translation—she was at once forthcoming and guarded. Johansson, who just turned 30, has been acting professionally since she was 7 and is entirely comfortable in the spotlight. She can be remarkably discreet. It was months before the public caught wind of her marriage to the French journalist Romain Dauriac.

Johansson has always taken unexpected creative chances: In 2010, at the height of her movie stardom, she defied critics by acting in Arthur Miller’s A View From the Bridge on Broadway and, to the astonishment of many, winning a Tony for her performance.

With the verve of a ’60s chanteuse, Johansson has recorded albums, and they are far from vanity projects. And just when she seemed a bit too art house, she took the role of Black Widow, the female superhero in The Avengers. The much-awaited sequel to that movie, Avengers: Age of Ultron.

The past year was, in particular, a big one for Johansson: In addition to becoming a mom, she starred in two of the only interesting female-centric films of 2014. In the global blockbuster Lucy, she plays a woman who ingests a drug that gives her superior mental and physical abilities (telekinesis, ass-kicking), and in Under the Skin, she is a seductive, murderous alien.

As a child in New York, Johansson was fascinated with every aspect of show business. “I had a big imagination,” she said. “I particularly loved Judy Garland, and, to me, she did it all. For as long as I can remember, I wanted to be an actor.

So Johansson (and her mother, who became her manager) decided she would audition only for films. In addition to a precocious mix of sexy and cute, even as a girl, Johansson had a trump card: her deep, slightly hoarse, smoky speaking voice.

In 2013, Spike Jonze capitalized on Johansson’s voice brilliantly in Her—as Joaquin Phoenix’s love interest, a disembodied computer operating system. Jonze told me that Johansson arrived every day to play the part wearing red lipstick and a cocktail dress, even though she would never appear on camera.

Strangely, before Jonze, no director or animator had taken such advantage of Johansson’s voice.

“People were surprised that I wanted to play a comic book heroine,” Johansson said. “But I loved Iron Man, and I met with Marvel to see what was possible. I had done my research, and the Black Widow character resonated with me. She is dark and has faced death so many times that she has a deep perspective on the value of life. In the sequel, you learn more about the sadness in her past.”

Johansson might have well been talking about a classic heroine of epic complexity. “I think of her that way. Black Widow is a superhero, but she’s also human. She’s small, but she’s strong. It’s hard not to admire her.” Johansson laughed, perhaps realizing it was herself she could be describing. “She packs a big punch,” Johansson said as she left to check on her daughter, who was sleeping nearby. “We all try to fight the forces of evil. Like Black Widow, you have to keep trying. The challenge is always there.”

Read the full interview here - https://www.wmagazine.com/story/scarl...

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Scarlett Johansson on Black Widow, Spike Jonze, and Chris Evans | Screen Tests | W Magazine